• Home
  • Autobiographies
    • Fulham Palace Road
    • It’s gettin’ hot
  • Photo-Work I
    • Dux
    • Cup City
    • Pictures From The End Of The World
    • Great Eastern Highway
    • Town Pictures
    • Let’s Dance
    • Our Place: Commercial Road – Matilda Bay
    • Bush Work
  • Photo-Work II
    • Beach Pictures I
    • Beach Pictures II
    • Beach Pictures III
    • Beach Pictures IV
    • Beach Pictures V
    • One Perfect Summer’s Day
  • Photo – Work III
    • Paris
    • The Man Who Never Stopped Walking
    • The Woman Who Never Smiled
    • The End of Everything
    • Street Work
    • 8 Days
    • Post Melbourne
  • Art Work
    • Blax Beaux-Art
    • Blaxzilla Graphic Art
  • Text Work
    • Journals
      • 1-Fulham Palace Road
      • 2-The Woman Who Never Smiled
      • 3-Diana Pictures
      • 4-Caravaggio’s Rome
      • 5-Duccio and An Angel Dressed in Red
      • 6-Simone’s Apartment
      • 7-The Greyhound
    • Writings
    • Panda Theory
  • Contact
  • Home
  • Autobiographies
    • Fulham Palace Road
    • It’s gettin’ hot
  • Photo-Work I
    • Dux
    • Cup City
    • Pictures From The End Of The World
    • Great Eastern Highway
    • Town Pictures
    • Let’s Dance
    • Our Place: Commercial Road – Matilda Bay
    • Bush Work
  • Photo-Work II
    • Beach Pictures I
    • Beach Pictures II
    • Beach Pictures III
    • Beach Pictures IV
    • Beach Pictures V
    • One Perfect Summer’s Day
  • Photo – Work III
    • Paris
    • The Man Who Never Stopped Walking
    • The Woman Who Never Smiled
    • The End of Everything
    • Street Work
    • 8 Days
    • Post Melbourne
  • Art Work
    • Blax Beaux-Art
    • Blaxzilla Graphic Art
  • Text Work
    • Journals
      • 1-Fulham Palace Road
      • 2-The Woman Who Never Smiled
      • 3-Diana Pictures
      • 4-Caravaggio’s Rome
      • 5-Duccio and An Angel Dressed in Red
      • 6-Simone’s Apartment
      • 7-The Greyhound
    • Writings
    • Panda Theory
  • Contact

There is a Joseph Koudelka photograph that pictures a newspaper, the Herald Tribune, spread as a tablecloth. A baguette. La vache qui rit cheese. Foil containers. A carton of long life milk. An enamel cup. An apple cut in half – its core a star. The meal of a traveller in black and white. And there is the open pocket knife. The wooden handled, French, Opinel N° 8 knife. An assassin’s knife said Jacqueline when I proudly displayed my purchase fresh from a Paris market. I like the Koudelka photograph very much, it takes me back to travels I have made. I recall the tensions. The atmospheres. The hard streets. The soft faces and occasional sweet smiles. And a woman beckoning and two naked children scrambling up a muddy bank as the train hurtled by into the Czechoslovakian night. It was June, 1992.

1 / 34
The Man Who Never Stopped Walking
hanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reducedhanging_on_reduced
Copyright Kevin Ballantine 1974 - 2019. All Rights Reserved
Website developed by